Looking back over the work I have completed so far; realising that my garden features a lot; and as my Theme Book is Funghi & Fragments - the following are the pieces I have picked out to continue to explore.
These examples are from Assignment 1, Stage 3, Exercise 1. These were not my images that I used as a starting point, but I do have both funghi and turkey tail in my garden. I made sketches from both images.
From Project 1, Stage 4, I isolated two sections of my drawings and enlarged them, using different drawing media.
In Project 2, Stage 4, I had created mood boards with samples of fabrics and threads and a small sewn piece. This first one is based on the mushroom gills biro drawing and the second one is based on a photograph I took of funghi growing on a fallen tree.
This is from Project 4 - Stage 2; Exercise 4, using pottery shards that I find in the garden as the starting point,
These examples are from Assignment 1, Stage 3, Exercise 1. These were not my images that I used as a starting point, but I do have both funghi and turkey tail in my garden. I made sketches from both images.
From Project 1, Stage 4, I isolated two sections of my drawings and enlarged them, using different drawing media.
These are two drawings in my sketchbook based on the photograph.
and this is the mood board I created in Project 2, Stage 4 for the image of the blue and white ceramic mug.
STAGE 2 - FOCUSING ON MY THEME BOOK
Underlying all the work that was being undertaken for each assisgnment, was the thought of the personal Theme Book and Final Outcome. I had found it quite difficult to choose a theme - I wanted something that was personal to me so I made a mind map to look at anything that related to me.
I am not a brilliant gardener (or a very consistent one) but I do find a lot of inspiration in the garden. I am always photographing interesting shapes, patterns and colours. So I decided to use my garden as the inspiration for my theme book. I then narrowed this down to two choices - Funghi & Fragments.
Blue & White
When we first moved into our home, over twenty years ago, there was no discernable garden. So over the years, we have worked hard to create one. This has involved a LOT of digging! Which always turns up lots of treasure. I always find small pieces of blue and white china - wherever I dig - I even find pieces in molehills in the fields. I always image the farmers wife bringing her husband a cup of tea and a freshly baked scone, and him leaving the plate and cup on a fence post and it being forgotten about. The truth is probably less romantic and there was more likely a rubbish heap where all the broken china, bottles and tins were dumped. Whichever notion is true it has left behind lovely fragments of the past waiting to be discovered. I do save all the pieces I find - one day I am going to make a mosaic bird bath.
This is a very small selection of the lovely patterns and shades.
My partner collects blue and white willow pattern, this is just a few pieces on the dresser.
This is a very small selection of the lovely patterns and shades.
My partner collects blue and white willow pattern, this is just a few pieces on the dresser.
I had collected images, fabric, thread, yarns and notions so I started by creating a mood board based on the blue & white fragments.
Funghi
Mushrooms always fascinate me. They come in such interesting shapes and have fantastic patterns, folds and pleats and frilly edges.
Again I created a mood board.
STAGE 3 - DEVELOPING THE DESIGN
Stage 2 and 3 got merged together really. I started off by making a number of sketches based on the china fragments. I also tried bleach and tissue paper which I then ripped and layered and sketched over. I tried a number of rubbings - with crayon on paper and also with fabric crayon onto fabric. I then manipulated the image on the computer and tried weaving two different effects together. I thought this looked like crazy patchwork, so tried a sample with fabric. I then tried a different method. Cut up fragments of fabric, laid them on to a base and covered them with organza and overstitched along the pieces.
I love the coloured samples created by manipulating the image on the computer, although I decided not to take these ideas any further. I created two felted pieces using the embellishing machine. The first one is mostly cottons on a felt base, with lace and beaded trim. The pieces didn't felt very well and needed a thin layer of wool tops on the top. On the second piece I used mostly organza and wool tops which created a much better felted surface. I then added embroidery over the top, of shapes taken from the patterns on the china fragments.
The last sample I created was a distressed piece using the embellisher again. I cut small pieces of fabric and laid them onto a felt base. I laid a piece of net over the top and randomly stitched it in place. I then slashed into the surface and folded bits of fabric back and went over the whole surface with the embellisher. It created too thick a fabric really to do this and I ended up breaking a lot of needles. I like the effect though and thought it conveyed the old, distressed surface of the china pieces.
I then looked at the funghi photographs. I thought one of them looked like a wedding dress already. The gills look like a very finely pleated skirt. I thought some of the gills looked like smocking.
I did some drawings of mushrooms using watercolours and a black gel pen and inktense pencils. I also tried manipulating the images on the computer, heightening the contrast. I also played around with corrugated card, tissue paper and sweet wrappers.
I then developed these images and drawings into fabric samples. I tried a very fraying cream fabric with brown yarn and a piece of tweed fabric. I really like how this has turned out. I don't know what the fabric was, but it feels synthetic and when I used the embellisher on it, the effect it created was ruffled, but it needed the addition of the yarn to hold it all together - it didn't felt very well without it.
I also tried a little gathered piece, using cordrouy, velvet and organza and simple running stitches. I also really like how this piece has worked out.
I dyed a strip of cream fabric with various colours of dye. I then used a strip of it and gathered it along one long edge and created a circle of fabric which I sewed onto a base using shiny thread. I also tried using dissolving fabric and black thread to create the gills of the mushroom. I like the effect of this, but it was hard to dissolve the paper where the sewing lines are very dense, so this spoils the effect a bit.
I tried using the embellisher on different kinds of fabric and making folds and then cutting the folds.
I also tried a piece on the embellisher using organza and velvet with the wool tops, on a felt base. I then embroidered lines in running stitch.
I tried various other combinations of fabric and wool tops on different base fabrics. The dryer sheet is a very lightweight base fabric and really contributes to the felting process. The piece of knitwear is OK to use on the embellisher and creates a nice texture in between the top fabrics.
I also tried just using the wool tops and yarns on a piece of tweed fabric. This created a lovely flatter felted fabric. I really like the colour combinations in this piece and the neatness of the finish.
A lot of the samples resulted in a lot of broken needles on the embellisher. The last few samples were the best. Not too thick.
I also tried some fabric manipulation. I used the leftover piece of fabric I had dyed and gathered both long edges. I then used some plain cream fabric to create flat strips between the coloured gathers. I think this would create lovely decorative panels on a cushion or a shirt or jacket.
I tried gathering a piece of fabric using four rows of tacking stitches. I didn't do them evenly because I wanted curved lines, but it was very difficult to get them to curve. I then distressed a piece of organza over the flame of a candle and attached this over the top. I wasn't very happy with this piece, so didn't take it any further.
Looking back through my workbook I am drawn to the fabric created with the embellisher and this is the direction I want to take. I have decided to make an evening clutch bag. A simple fold over design to show of the very textured surface. I am going to combine a number of the different ideas from the fabric samples I have created and try and keep the fabric fairly lightweight so that I don't break too many needles.
STAGE 4 - MAKING THE TEXTILE PIECE
Mushrooms always fascinate me. They come in such interesting shapes and have fantastic patterns, folds and pleats and frilly edges.
STAGE 3 - DEVELOPING THE DESIGN
Stage 2 and 3 got merged together really. I started off by making a number of sketches based on the china fragments. I also tried bleach and tissue paper which I then ripped and layered and sketched over. I tried a number of rubbings - with crayon on paper and also with fabric crayon onto fabric. I then manipulated the image on the computer and tried weaving two different effects together. I thought this looked like crazy patchwork, so tried a sample with fabric. I then tried a different method. Cut up fragments of fabric, laid them on to a base and covered them with organza and overstitched along the pieces.
I love the coloured samples created by manipulating the image on the computer, although I decided not to take these ideas any further. I created two felted pieces using the embellishing machine. The first one is mostly cottons on a felt base, with lace and beaded trim. The pieces didn't felt very well and needed a thin layer of wool tops on the top. On the second piece I used mostly organza and wool tops which created a much better felted surface. I then added embroidery over the top, of shapes taken from the patterns on the china fragments.
The last sample I created was a distressed piece using the embellisher again. I cut small pieces of fabric and laid them onto a felt base. I laid a piece of net over the top and randomly stitched it in place. I then slashed into the surface and folded bits of fabric back and went over the whole surface with the embellisher. It created too thick a fabric really to do this and I ended up breaking a lot of needles. I like the effect though and thought it conveyed the old, distressed surface of the china pieces.
I then looked at the funghi photographs. I thought one of them looked like a wedding dress already. The gills look like a very finely pleated skirt. I thought some of the gills looked like smocking.
I did some drawings of mushrooms using watercolours and a black gel pen and inktense pencils. I also tried manipulating the images on the computer, heightening the contrast. I also played around with corrugated card, tissue paper and sweet wrappers.
I then developed these images and drawings into fabric samples. I tried a very fraying cream fabric with brown yarn and a piece of tweed fabric. I really like how this has turned out. I don't know what the fabric was, but it feels synthetic and when I used the embellisher on it, the effect it created was ruffled, but it needed the addition of the yarn to hold it all together - it didn't felt very well without it.
I dyed a strip of cream fabric with various colours of dye. I then used a strip of it and gathered it along one long edge and created a circle of fabric which I sewed onto a base using shiny thread. I also tried using dissolving fabric and black thread to create the gills of the mushroom. I like the effect of this, but it was hard to dissolve the paper where the sewing lines are very dense, so this spoils the effect a bit.
I tried using the embellisher on different kinds of fabric and making folds and then cutting the folds.
I also tried a piece on the embellisher using organza and velvet with the wool tops, on a felt base. I then embroidered lines in running stitch.
I tried various other combinations of fabric and wool tops on different base fabrics. The dryer sheet is a very lightweight base fabric and really contributes to the felting process. The piece of knitwear is OK to use on the embellisher and creates a nice texture in between the top fabrics.
I also tried just using the wool tops and yarns on a piece of tweed fabric. This created a lovely flatter felted fabric. I really like the colour combinations in this piece and the neatness of the finish.
A lot of the samples resulted in a lot of broken needles on the embellisher. The last few samples were the best. Not too thick.
I also tried some fabric manipulation. I used the leftover piece of fabric I had dyed and gathered both long edges. I then used some plain cream fabric to create flat strips between the coloured gathers. I think this would create lovely decorative panels on a cushion or a shirt or jacket.
I tried gathering a piece of fabric using four rows of tacking stitches. I didn't do them evenly because I wanted curved lines, but it was very difficult to get them to curve. I then distressed a piece of organza over the flame of a candle and attached this over the top. I wasn't very happy with this piece, so didn't take it any further.
Looking back through my workbook I am drawn to the fabric created with the embellisher and this is the direction I want to take. I have decided to make an evening clutch bag. A simple fold over design to show of the very textured surface. I am going to combine a number of the different ideas from the fabric samples I have created and try and keep the fabric fairly lightweight so that I don't break too many needles.
STAGE 4 - MAKING THE TEXTILE PIECE
For my final piece I decided to make a simple evening clutch bag. I planned to make a felted fabric using the embellishing machine, which would be quite textured, so thought that a simple design would work best. I made a paper pattern and used this to cut a piece of knitwear, as the base fabric, to the approximate size I needed. I then used the embellisher to attach wool tops and yarn, to create a felted surface. I cut strips of cream fabric and attached these to the fabric by using the embellisher and a length of yarn. The yarn was needed to create a felted surface. The fabrics would not mingle together without the yarn.
One on the images looks like it has beads on the gills.
I added some sequins and beads (to the front flap only) as it was an evening bag and I thought it needed a bit of sparkle. I used a piece of red silk fabric to line the bag and pinned the two fabric together. I sewed the top fabric and liner together around the 3 sides of the front flap. I then attached a magnetic clasp and covered this on the front with a lovely button. I sewed the bottom edges together (inside top edge when finished) then by folding the bottom edge I sewed the two side seams, leaving a flap to fold over at the top. I trimmed the fabrics back to the sewn lines.
I am very pleased with how the bag has worked out. I think I like the colours and the surface texture. I haven't made a bag before, but I thought the magnetic clasp was really good and easy to fit. I like the loose threads, it gives it an organic feel.
Can you see a continuous thread of development from your original drawings and samples to the final design?
I think this piece has definitely developed from my original photographs and biro drawing of the mushroom gills. Having made the small samples, I have used the ideas that I thought would work best in the final piece.
Do you feel you made the right decisions at each stage of the design process? If not, what changes would you make?
I am happy with the decisions I have made throughout this project. I enjoyed developing ideas from my photographs and was happy with my decision to use the mushroom images to continue to my final sample. I like how the final piece has turned out, it is how I imagined it to be.
Were you able to interpret your ideas well within the techniques and materials you chose to work with?
I thought the materials and techniques I chose to work with interpreted my ideas well. Some were less successful but the felted surface I was very happy with and I thought they portraed the mushrooms very well.
How successful is your final design in terms of being inventive within the medium and conherent as a whole?
I am pleased with how my final piece has turned out. After making the sample pieces, and combining some ideas - the finished bag worked just as I wanted it to.
One on the images looks like it has beads on the gills.
I added some sequins and beads (to the front flap only) as it was an evening bag and I thought it needed a bit of sparkle. I used a piece of red silk fabric to line the bag and pinned the two fabric together. I sewed the top fabric and liner together around the 3 sides of the front flap. I then attached a magnetic clasp and covered this on the front with a lovely button. I sewed the bottom edges together (inside top edge when finished) then by folding the bottom edge I sewed the two side seams, leaving a flap to fold over at the top. I trimmed the fabrics back to the sewn lines.
I am very pleased with how the bag has worked out. I think I like the colours and the surface texture. I haven't made a bag before, but I thought the magnetic clasp was really good and easy to fit. I like the loose threads, it gives it an organic feel.
Can you see a continuous thread of development from your original drawings and samples to the final design?
I think this piece has definitely developed from my original photographs and biro drawing of the mushroom gills. Having made the small samples, I have used the ideas that I thought would work best in the final piece.
Do you feel you made the right decisions at each stage of the design process? If not, what changes would you make?
I am happy with the decisions I have made throughout this project. I enjoyed developing ideas from my photographs and was happy with my decision to use the mushroom images to continue to my final sample. I like how the final piece has turned out, it is how I imagined it to be.
Were you able to interpret your ideas well within the techniques and materials you chose to work with?
I thought the materials and techniques I chose to work with interpreted my ideas well. Some were less successful but the felted surface I was very happy with and I thought they portraed the mushrooms very well.
How successful is your final design in terms of being inventive within the medium and conherent as a whole?
I am pleased with how my final piece has turned out. After making the sample pieces, and combining some ideas - the finished bag worked just as I wanted it to.
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